I went with my daughter V. and it was really great. So, even though it'll be too late for all of you - I thought I'd paste some of the reviews here so you can enjoy it vicariously.
Actually, it runs through this Sunday; you might be able to see it. Reserve your tickets on line first, though, because it has sold out a number of times.
http://www.theasy.com/Reviews/ghosts.php
Ghosts.
By Henrik Ibsen; Adapted by Nemonie Craven; Directed by Sophie Hunter
Off-Off-Broadway, Play Extant Arts Company
Runs through 11.21.10 Access Theater, 380 Broadway
by Joseph Samuel Wright on 11.9.10
BOTTOM LINE: Extant Arts Company presents an abstract, experimental, multimedia adaptation of Ibsen’s Ghosts on a set of nylon thread.
Henrik Ibsen’s Ghosts tells the story of a mother (Mrs. Alving), the girl she raised (Regina), her son (Oswald), and their pastor on a night when a lifetime of secrets are revealed and worlds unravel.
In this new production helmed by Sophie Hunter and adapted by Nemonie Craven, the set becomes the main character.
Walking into the downtown theatre space, the set is a vast presence. Thin nylon threads hang from the ceiling and form a box — a room. At the back of the room are plants attached to IV drips forming a line. Behind them is plastic sheeting where images and video are projected. The stage has only two chairs and three television monitors, but a canopy of light bulbs hang from the ceiling. The entire space becomes an exercise in transparency and illumination, thickly stylized.
With this set, it becomes no surprise that the lighting is also complex and deeply shadowed, which makes it all the more disappointing when in certain scenes only the bulbs are used. Still, when the lighting is designed and the theatrical units are utilized, the effect is as intricate and textural as the space itself.
Unfortunately, this visual brilliance hinders the action and staging more than it complements it. For most of the play, the audience is looking through the nylon front “wall” of the string room. And in general this artistic installation-style setting often makes more of a statement than the actors' words and actions do.
Also, the Access Theatre doesn't have an elevated stage, yet two of the three monitors are on the floor, and several important scenes take place sitting on the floor. In a space like this, moments are blocked from sight by the rows of audience before them. I sometimes couldn’t see what was being shown on the television monitors, or what characters were doing down on the ground.
And it’s a shame to not be able to see, because several performances are well worth watching. LeeAnne Hutchison plays Mrs. Alving with great nuance and clarity. The final scene between Mrs. Alving, Regina (Justine Salata), and Oswald (Paulo Quiros) is a gripping success of staging and performance, a true testament to the potential in the ambitious artistry behind this piece.
Ghosts is an enterprising, experimental presentation of Ibsen's classic. If you like abstraction, expressionistic theatre, or are familiar with the play and interested to see a new spin on the script, take a trip down to the Access Theatre.
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http://offoffonline.com/reviews.php?id=1862 by Maura Kelley Nov. 5, 2010
Ghosts, by Henrik Ibsen, produced by the Extant Arts Company
and adapted by Nemonie Craven, is both creepy and entertaining. The play is directed by Sophie Hunter, who is not at all timid when it comes to mixing multi-media with classic plays. Thank goodness that you can view the ultra-cool set by Flammetta Horvat before the show starts, or you might find yourself distracted by its very unique and disturbing elements: different length wires with working light bulbs attached dangle from the ceiling, hospital I.V. bags hang over numerous potted plants spanning the back of the stage, a transparent cage created out of fish wire maps out the main playing area and three television screens separate the stage in thirds, showing a flurry of images that echo the actors' interior feelings.
The play opens with Jacob Engstrand (Chris Haag), a poor working man urging his daughter Regina (Justine Salata), a ward of the Alvings, to come live with him. Things pick up steam when Pastor Manders (Anthony Holds) and Helene (Mrs.) Alving (LeeAnn Hutchinson), two very skilled actors, take the stage. The judgmental Pastor soon learns the err of his ways as horrifying truths about Mrs Alving, Engstrand and her son Oswald's past get revealed. Oswald Alving, expertly played by Paulo Quiros, is home visiting his mother for a mysterious, “indefinite amount of time.” As Oswald comes into the picture later in the play, more shattering secrets get disclosed and “ghosts” seem to be the cause for many people’s torment.
All of the characters in the play have dynamic revealing monologues that are pivotal to the story and possess extreme suspenseful elements. Unusual and identifiable sounds (Asa Wember), TV footage and non-naturalistic staging are used to enhance the suspense and subtext of characters in moments and scenes. But pay attention, because I found myself at times overwhelmed by visual and audio stimulation and missed key plot points. One in particular is a sexually driven scene between Mrs. Alving and the Pastor which is staged with Mrs. Alving slow dancing with the Pastor with video screens playing the couple in pre-filmed romantic embraces. All this is done while Mrs. Alving unveils the truth of her gruesome marriage.
Sometimes tension, sexual or not, is more interesting without explanation. I would have been happy for simpler staging to just allow these talented actors to act. Quiros, as Oswald, does just that and the results are excellent as he expertly plays torment, sexual desire, rage and ill health. The final moment, beautifully played between Mrs. Alving and Oswald, allows the play to end with a “wow!”
Ghosts is a dynamic adaptation, but the multi-media elements at times overpower the actors. Sometimes, less is more.
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nytheatre.com review by Lynn Berg • November 7, 2010
There is something in Henrik Ibsen's Ghosts that makes it one of his most powerful scripts, in my opinion. The relationships and situation, the story—when performed clearly, honestly, and passionately—overcome its melodramatics and soap-opera-like devices despite the now-known medical fallacy the plot hinges on. It must be more than the play's universal theme of sins of the father being visited upon the children, a subject of tragedy from at least ancient Greek and Biblical times. And it's more than just the relationship of a mother to her son, an elemental component of many ancient myths. Ibsen's play seems itself haunted by its themes and ideas. Whatever it is that makes Ghosts work, Extant Arts Company's production captures it with tormenting fire.
Ghosts takes place on the 10th anniversary of respected benefactor and patriarch John Alving's death. His estranged profligate son, Oswald, returns home to his mother who has long guarded the family secrets. Haunted by those secrets, Mrs. Alving thinks she's protecting her family from those same ghosts. The family executor, Pastor Manders, also believes he keeps those spirits at bay. Even the family servant, Regina, and her father haunt and are haunted by the Alving family legacy. And those malevolent spirits will not easily be kept hidden. Nemonie Craven's script of Ibsen's tightly woven tale is a moving adaptation commissioned for this production. Sophie Hunter's compelling direction of the action and the fine, intense performances by the ensemble give this classic immediacy.
The multimedia production of the play emphasizes elements of fluids and fire. The initiating and recurrent video image by Gary Breslin and luckydave is of dripping rain playing in onstage video monitors and projected onto clear plastic curtains in the back of the set. The enveloping sound design by Asa Wember is lush. And Fiammetta Horvat's set integrates the monitors and cleverly uses wire and IV bags to represent the cold transparent walls of the Alving house.
The multimedia elements of Extant Arts' Ghosts render exciting spectacle that's not normally seen in the play such as interpreting the panic of a raging fire. At other times the concept and design of the production seem to take the task of making the hidden seen and heard almost too literally. In this Ghosts there is always interesting spectacle but sometimes instead of enhancing the action or illuminating the story they become obstacles for the performers to overcome. For the most part, the performers ably do so and even when the production seems lost in its own concepts it seems to be trying to capture the play's essence.
The cast of this Ghosts is excellent and gives fierce, haunted performances. Paulo Quiros avoids Oswald's maudlin trap with devilish charm, at once lovable, dangerous, and damned. Justine Salata and Chris Haag are pitifully human as Regina and Jacob Engstrand trying to twist free from their fates. Anthony Holds is complex as Pastor Manders, wrestling with his demons. And LeeAnne Hutchison gives graceful gravity to Helene Alving's struggle, raising the drama to tragic heights.
Ghosts can seem perplexing in its simplicity. But it's more than the sum of its parts, as if the play itself is possessed by unseen forces. Whatever it is that makes Ibsen's haunted tale work, Craven's incisive adaptation captures it and this ensemble's powerful performances let it loose to possess its audience.
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http://www.smarttix.com/show.aspx?EID=&showCode=GHO7&BundleCode=&GUID=
Extant Arts Company presents GHOSTS
Friday, November 05, 2010 through Sunday, November 21, 2010
A New Vision of Ibsen's Classic.
Extant Arts presents GHOSTS, a re-imagining of the Henrik Ibsen's groundbreaking drama. Director Sophie Hunter leads a dynamic cast and international, award-winning creative team from the worlds of opera, Broadway, film, and installation art in transforming this 19th century Norwegian classic into a timeless and searing piece of theatre. Performances begin November 5th at the Access Theatre, located at 380 Broadway.
Enron's Sophie Hunter returns to New York to direct GHOSTS, after touring Europe with Mozart's Cosi Fan Tutte. She explains the visceral grip of Ibsen's classic, "GHOSTS is a series of violent encounters between characters ultimately concerned with survival: their own, and that of the faded ideals that haunt them.”
Innovative but true to the spirit of the father of modern theater, this is a GHOSTS for our present moment, as shocking and provocative as ever.
The cast of GHOSTS features Anthony Holds*, LeeAnne Hutchison*, Chris Haag, Paulo Quiros, and Justine Salata. The creative team includes: set designer Fiammetta Horvat, lighting designer Melissa Mizell, video designer Gary Breslin, costume designer Hunter Kaczorowki, sound designer Asa Wember, assistant director Sarah Outhwaite, design assistant Danica Pantic, and stage manager Julia Singer. The production is an Equity Showcase.